As an expert on the global economy, with a world-wide perspective, Wolfensohn could also point out that the importance of the US in the world economy is gradually declining, with new giants like China and India rising.

We, the Israelis, like to think that we are the center of the world. Wolfensohn, a person with a world-wide outreach, sticks a pin into this egocentric balloon. Already now, he says, only the West considers the Israeli-Palestinian issue so important. Most of the world is indifferent. "I have visited more than 140 countries: you are not such a big deal there."

Even this limited interest will also evaporate. Wolfensohn rubs salt into the wound: "A moment will come when the Israelis and the Palestinians will be compelled to understand that they are a secondary performance … The Israelis and the Palestinians must get rid of the idea that they are a Broadway performance. They are only a play in the Village. Off-off-off-off-off Broadway." Knowing that this is the worst one can tell an Israeli, he adds: "I hope that I am not getting into trouble by saying this, but, what the hell, that's what I believe, and I am already 73 years old."

I do believe him - and I, what the hell, am already 83.

The metaphor from the world of theater looks to me even more apt that Wolfensohn himself imagines.

What is happening now to the Israeli-Palestinian conflict is mostly theater, and not the best in town.

The actors drink from empty glasses, recite texts that nobody believes, put on false smiles and embrace heartily while loathing each other.

The best scene so far was the Gaza "separation". Contrary to Wolfensohn's belief, it was merely a performance, melodrama at its best, directed by Sharon and the chiefs of the settlers, the army and the police. Many tears, many embraces, many sham battles. This week the performance was again in the media, with a huge propaganda machine trying to show how immense was the pain, how the poor evacuees have remained without villas, how many more billions will still be needed. The intended conclusion: it is impossible to dismantle the settlements in the West Bank.

The new actor on the stage, Tony Blair, is exuding charm and joviality, embracing and kissing. We, the audience, know that his lot will be exactly like that of his predecessor. Like him, he is the "special envoy of the Quartet". His terms of reference are exactly the same as those of Wolfensohn before him: much of nothing. He is supposed to help the Palestinians to build "democratic institutions", after the US and Israel have systematically destroyed the democratic institutions that were set up after the last Palestinian elections.

He has embraced Olmert, kissed Tzipi Livni, smiled at Ehud Barak, and we know that all three of them will do their utmost to disrupt his mission before he reaches a position that would enable him to realize his real dream: to conduct peace negotiations, as he successfully did in Northern Ireland.

All that is happening now is theater. Olmert pretends that he really wants to "save Abu Mazen", while doing the opposite. At Bush's request, he allowed the transfer of a thousand rifles, with a lot of fanfare, from Jordan to Abbas, so he can fight Hamas - understanding full well that to an ordinary Palestinian this will look like collaboration with the occupier against the resistance. He enlarges the settlements, keeps the "illegal outposts" and closes his eyes while the army is helping the settlers to put up more outposts. That is a foolproof recipe for a Hamas takeover in the West Bank, too.

Everybody knows that there is only one way to strengthen Abu Mazen: immediately to start rapid and practical negotiations for the establishment of the State of Palestine in all the occupied territories, with its capital in East Jerusalem. Not more discussions about abstract ideas, as proposed by Olmert, not another plan (No. 1001), not a "peace process" that will lead to "new political horizons", and certainly not another hollow fantasy of that grand master of sanctimonious hypocrisy, President Shimon Peres.

The next scene of the play, for which all the actors are now learning their lines, is the "international meeting" this autumn, according to the screenplay by President Bush. Condoleezza will chair, and it is doubtful whether Tony, the new actor, will be allowed to take part. The playwrights are still deliberating.

If all the world is a stage, as Shakespeare wrote, and all the men and women merely players who have their exits and their entrances, that is true even more for Israel and Palestine. Sharon exited and Olmert entered, Wolfensohn exited and Blair entered, and everything is, as Sakespeare wrote in another play, "words, words, words."

Wolfensohn can view the next parts of the play with philosophical detachment. We, who are involved, cannot afford that, because our comedy is really a tragedy.
 

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