Racism

As the most blatant and ugly forms of racism have disappeared from mainstream media, leftists have continued to point out that subtler forms of racism endure, and that their constant reproduction through media is a problem. Race matters, and media depictions of race matter.

Pornography is the one media genre in which overt racism is still acceptable. Not subtle, coded racism, but old-fashioned U.S. racism -- stereotypical representations of the black male stud, the animalistic black woman, the hot Latina, the demure Asian geisha. Pornography vendors have a special category, “interracial,” which allows consumers to pursue the various combinations of racialized characters and racist scenarios.

The racism of the industry is so pervasive that it goes largely unnoticed. In an interview with the producer of the DVD “Black Bros and Asian Ho’s,” one of us asked if he ever was criticized for the racism of such films. He said, “No, they are very popular.” We repeated the question: Popular, yes, but do people ever criticize the racism? He looked incredulous; the question apparently had never entered his mind.

Yet take a tour of a pornography shop, and it’s clear that racial justice isn’t central to the industry. Typical is the claim of “Black Attack Gang Bang” films: “My mission is to find the cutest white honeys to get Gang Banged by some hard pipe hitting niggas straight outta compton!” It would be interesting to see a pro-pornography leftist argue to a non-white audience that such films are unrelated to the politics of race and white supremacy.

Up-market producers such as Vivid use mainly white women; the official face of pornography is overwhelmingly white. However, alongside this genre there exists more aggressive material in which women of color appear more frequently. As one black woman in the industry told us, “This is a racist business,” from how she is treated by producers to pay differentials to the day-to-day conversations she overhears on the set.

Sexism

Contemporary mass-marketed heterosexual pornography -- the bulk of the market for sexually explicit material -- is one site where a particular meaning of sex and gender is created and circulated. Pornography’s central ideological message is not hard to discern: Women exist for the sexual pleasure of men, in whatever form men want that pleasure, no matter what the consequences for women. It’s not just that women exist for sex, but that they exist for the sex that men want.

<>Despite naïve (or disingenuous) claims about pornography as a vehicle for women’s sexual liberation, the bulk of mass-marketed pornography is incredibly sexist. From the ugly language used to describe women, to the positions of subordination, to the actual sexual practices themselves -- pornography is relentlessly misogynistic. As the industry “matures” the most popular genre of films, called “gonzo,” continues to push the limits of degradation of, and cruelty toward, women. Directors acknowledge they aren’t sure where to take it from the current level.

This misogyny is not an idiosyncratic feature of a few fringe films. Based on three studies of the content of mainstream video/DVD pornography over the past decade, we conclude that woman-hating is central to contemporary pornography. Take away every video in which a woman is called a bitch, a cunt, a slut, or a whore, and the shelves would be nearly bare. Take away every DVD in which a woman becomes the target of a man’s contempt, and there wouldn’t be much left. Mass-marketed pornography doesn’t celebrate women and their sexuality, but instead expresses contempt for women and celebrates the charge of expressing that contempt sexually.

<>Leftists typically reject crude biological explanations for inequality. But the story of gender in pornography is the story of biological determinism. A major theme in pornography is that women are different from men and enjoy pain, humiliation, degradation; they don’t deserve the same humanity as men because they are a different kind of creature. In pornography, it’s not just that women want to get fucked in degrading fashion, but that they need it. Pornography ultimately tells stories about where women belong -- underneath men.

Most leftists critique patriarchy and resist the system of male dominance. Gender is one of those arenas of struggle against domination, and hence an arena of ideological struggle. Put an understanding of media together with feminist arguments for sexual equality, and you get the anti-pornography argument.

The need for a consistent analysis of power

Leftists who otherwise pride themselves on analyzing systems and structures of power, can turn into extreme libertarian individualists on the subject of pornography. The sophisticated, critical thinking that underlies the best of left politics can give way to simplistic, politically naïve, and diversionary analysis that leaves far too many leftists playing cheerleader for an exploitive industry. In those analyses, we aren’t supposed to examine the culture’s ideology and how it shapes people’s perceptions of their choices, and we must ignore the conditions under which people live; it’s all about an individual’s choice.

A critique of pornography doesn’t imply that freedom rooted in an individual’s ability to choose isn’t important, but argues instead that these issues can’t be reduced to that single moment of choice of an individual. Instead, we have to ask: What is meaningful freedom within a capitalist system that is racist and sexist?

Leftists have always challenged the contention of the powerful that freedom comes in accepting one’s place in a hierarchy. Feminists have highlighted that one of the systems of power that constrains us is gender.

We contend that leftists who take feminism seriously must come to see that pornography, along with other forms of sexualized exploitation -- primarily of women, girls and boys, by men -- in capitalism is inconsistent with a world in which ordinary people can take control of their own destinies.

That is the promise of the left, of feminism, of critical race theory, of radical humanism -- of every liberatory movement in modern history.

 =====================

Gail Dines is a professor of American Studies at Wheelock College in Boston. She can be reached at gdines@wheelock.edu. Robert Jensen is a professor of journalism at the University of Texas at Austin. He can be reached at rjensen@uts.cc.utexas.edu. They are co-authors with Ann Russo of Pornography: The Production and Consumption of Inequality. Both also are members of the interim organizing committee of the National Feminist Antipornography Movement. For more information, contact feministantipornographymovement@yahoo.com or go to http://feministantipornographymovement.org/

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